""This is the first time in 30 years that I've felt the need to explain myself. I think there's been a bit of confusion about the whole thing. To some people, everything is political.""
"Throughout the central courtyard and the pavilion's five galleries, the artist has grouped new work with old to weave a narrative about conflict, mourning, and transcendence that is inspired by Hieronymus Bosch's Visions of the Afterlife."
"One molten, coiled mass of bronze does, in fact, resemble a cat, now that he mentions it. The richly patina-ed wall hanging toward which the cat gazes, could, indeed, be a full moon in the night's sky."
Alma Allen's exhibition, "Call Me the Breeze," at the Venice Biennale features a blend of new and old sculptures that explore themes of conflict, mourning, and transcendence. Inspired by Hieronymus Bosch's Visions of the Afterlife, the exhibition presents a pared-down aesthetic compared to previous years. Allen's reluctance to explain his art is evident, yet he acknowledges the need for clarity due to public perception. The exhibition raises questions about its organization and the political implications of representing the U.S. in such a prestigious venue.
Read at Artnet News
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