The article discusses a collaborative exhibition at the Center for Photography at Woodstock, highlighting how collage is employed as a form of creative protest by fifty contemporary artists. It emphasizes the works of notable figures such as Wangechi Mutu and Hannah Wilke, and the show's curators, Justine Kurland and Marina Chao, focus on themes of repair, race, and gender. The exhibition showcases a blend of historical and contemporary pieces, reflecting ongoing conversations about feminism and the evolving nature of image-making in a digital landscape.
"I have developed as an artist based on the conversations I've had with Marina. She has been doing so much curatorial work shifting our focus towards art that looks at repair, race, and gender."
"All these feminist artists are passing this tradition on and on, formally and conceptually. We have talked a lot about circularity, things with no beginning and no end."
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