Gyorgy Ligeti's transition in style during the late 1970s and early 1980s stands out as a pivotal moment in his career, akin to Stravinsky's stylistic changes. This evolution was revealed in his 1982 Horn Trio, which showcased a new tonal language infused with elements from various non-western music traditions. Ligeti's full artistry became apparent in his piano and violin concertos from 1988 and 1993, both of which, while fresh and original, remain rooted in the concerto tradition. Soloists like Isabelle Faust have embraced these works, adding to their enduring appeal.
Ligeti's late-seventies shift in musical style was remarkable, comparable to Stravinsky, revealing a new tonal language influenced by non-western traditions in his Horn Trio.
The full force of Ligeti's new language emerged in his concertos for piano and violin that followed the Horn Trio, combining freshness with concerto tradition.
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