For Jet Li, Coming to America Meant Playing the Villain
Briefly

For Jet Li, Coming to America Meant Playing the Villain
"Hollywood gave me many opportunities to practice nonattachment. Before filming even began, the studio played hardball with the contract negotiation. First, they offered me a million dollars. I said I'd think about it. The next day, they said $750,000. I said I'd think about it and discussed it with my girlfriend. The next day, they offered $500,000. I thought, Oh, I am starting to understand. This is the American game."
"In Asia, I was a big star. Directors and studios wanted to make me happy. But in America, nobody cared what I wanted. In the late '90s and early aughts, there were very few roles for Asian actors. I knew I would have to work doubly hard just to prove what I could do."
"I didn't like the role any more than she did, but I understood this was my chance to break into a new market, and I knew I had to prove myself."
The transition from Hong Kong to Hollywood marked a significant shift in career and cultural dynamics. Initial contract negotiations revealed the competitive nature of the American film industry. Unlike in Asia, where the actor was a star, Hollywood offered fewer roles for Asian actors, necessitating hard work and language acquisition. The character portrayal also changed dramatically, moving from heroic roles to playing a villain in Lethal Weapon 4. Despite personal reservations and external pressures, the opportunity to break into a new market was recognized as essential for career advancement.
Read at Vulture
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