Tristan Huschke began his creative journey as a painter but shifted to design to make his work more accessible to the public. He believes design possesses a unique function that transcends the elitism of traditional art worlds. Utilizing vibrant digital tools, he focuses on posters as his primary medium, which allows him to engage a wider audience in public spaces. Tristan's practice emphasizes the balance of order and chaos, inspired by musicians like Miles Davis, highlighting his systematic approach to form and visual language.
What I often find fascinating is the transition between harmony and disharmony. Miles Davis once said, 'it's not the note you play that's the wrong note - it's the note you play afterwards that makes it right or wrong.'
My interest in posters arose from the desire to make art more accessible. I wanted my work to be present in public spaces, to reach a wider audience.
Design provides exactly that opportunity; it has a function, is accessible, and reaches people where they are.
During that time, I not only learned a lot about technique but also about the creative process—how to develop a personal style and a visual language.
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