"This film works with our mother tongue and its racist complexities, which prevent many from accessing a vital space. The language of documents. The lives of people expelled by papers of dubious value, lives lost in hours of useless procedures."
"In the hands of Martel, a film that on its surface could be considered true crime is transmogrified into something altogether more interesting and urgent. She crafts a film filled to the brim with indigenous oral histories and personal photo archives."
"Martel uses the language of cinema, personal photography, and memory to highlight not just the story of the 2009 murder of Javier Chocobar but also the story of the indigenous Chuschagasta community."
Lucrecia Martel's documentary 'Nuestra Tierra' explores the intersection of language, racism, and indigenous history in Argentina. It focuses on the 2009 murder of Javier Chocobar and the Chuschagasta community's struggle against systemic erasure. The film utilizes personal photography and oral histories to convey the anti-colonial message and critiques the bureaucratic processes that contribute to land loss. Martel's approach transforms a true crime narrative into a broader commentary on cultural identity and historical injustices faced by indigenous peoples.
Read at Roger Ebert
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