"River of Valentines flows like a river, its sonic valentines aloof yet twinkling. Hilton's lo-fi ennui sometimes lulls but often dances across a deep well of feeling, all within a concise 28 minutes."
"Following the opening track "Exorcise," "Fiery Sunset of Kings" has a spare glow, while "Machinery" picks up the pace with an uptempo list of desires."
"Hilton's solo output is gentler, lullaby-esque. It's not the sticky fruit juice dripping; it's the cool water you use to wash it away."
"In the track "Machinery," Hilton expresses a desire to hear various voices, passionately seeking understanding and connection with an earnest, yet light-hearted tone."
River of Valentines is characterized by smooth soundscapes and emotional depth, creating an atmosphere reminiscent of summer days on the Columbia. Charlie Hilton's vocals are gentle and lullaby-esque, offering a contrast to her previous chillwave work. The album opens with "Exorcise," where Hilton expresses reluctance about diving into emotion, setting a theme of understated feelings. Other tracks like "Fiery Sunset of Kings" and "Machinery" reflect a blend of earnest desires and light-heartedness. Overall, the work flows cohesively, enchanting listeners with its evocative simplicity.
Read at Portland Mercury
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