"The film's promotional copy promises "exclusive footage capturing critical meetings, private conversations, and never-before-seen environments." What it does reveal, for the most part, are hallways. Not the grand hallways of Trump Tower, Mar-a-Lago, and the White House, but the backstage, never-meant-to-be-seen service corridors linking her public appearances to her private penthouses and revving black cars. At Trump Tower, the mirrored penthouse and its diamond-encrusted gold door lead to dim gray halls"
"linking her public appearances to her private penthouses and revving black cars. At Trump Tower, the mirrored penthouse and its diamond-encrusted gold door lead to dim gray halls and freight elevators that connect to a basement garage on 56th Street. The inauguration sends the Trumps pinballing through the back halls of the Capitol to the backstage halls of ballrooms, event spaces, and an arena, where"
The film frames the First Lady's hectic weeks preparing to retake the White House by following backstage corridors rather than public pomp. Service hallways, freight elevators and dim gray passageways connect mirrored penthouses, garage bays and event backstages. The Trumps move through Capitol back halls and arena service spaces while Melania, impeccably dressed, walks tensely against exposed piping and concrete walls. She conducts little visible decision-making; planners like David Monn and designer Tham Kannalikham prompt or remind her about choices. Her only substantive domestic note concerns her son Barron's bed size, suggesting limited apparent authority or an influence contained within narrow social spheres.
Read at Curbed
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