
"Imperfect Women is the latest adaptation to aim for the audience that turned out early this year for The Housemaid: people with an appetite for entertainment that picks apart the domestic lives of the 1 percent, finding something stinky inside the pretty shell of catered parties, volunteer "jobs," and perfectly beribboned gift bags."
"Imperfect Women's bluntly descriptive title, along with the credit sequence showing pottery being mended using the Japanese technique of kintsugi, promises exactly what you're going to see: a bunch of fortysomething female Angelenos who may seem like they've got it together, but have made a bunch of bad choices in their lives, and are about to make more."
"Eleanor is the only one of the three women who has remained unmarried and child-free, and we soon see that in the world of Imperfect Women, there's no way for this to be a neutral descriptor. By the end of her turn as narrator, capable Eleanor has shown herself to be just as chaotic."
Imperfect Women is a limited series on Apple TV based on Araminta Hall's book and created by Annie Weisman. The show targets audiences who enjoyed The Housemaid, offering entertainment that exposes the dysfunction within wealthy domestic circles. The series follows three fortysomething female characters in Los Angeles: Eleanor, a capable nonprofit CEO; Mary; and Nancy, whose murder in the first episode triggers an investigation. The kintsugi imagery in the opening credits symbolizes broken women being repaired. Kerry Washington, Elisabeth Moss, and Kate Mara portray these characters as seemingly put-together individuals who have made poor life choices. Eleanor's unmarried, child-free status becomes significant within the show's social context, revealing deeper complexities beneath her professional competence.
Read at Slate Magazine
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