"Wyeth recalls a conversation with a printmaker who extolled lithography because the images it produces reveal the strength and dexterity of an artist's fingers: human marks."
"Wyeth worries he ought to be out on the streets photographing righteous protesters, but neither his heart nor art is in it."
"His small-scale canvases feature scenes from European auteur cinema with the white characters replaced by Black figures, provoking mixed reactions from his peers."
"To be working class, fatherless and from the south: this was, for him, a kind of isolation chamber."
Brandon Taylor's third novel centers on Wyeth, a young painter grappling with isolation and identity in post-pandemic New York. Raised in Virginia, Wyeth's background as a working-class, fatherless Black man shapes his artistic perspective. He reflects on his experiences and the impact of societal expectations on his work. His canvases reinterpret European cinema through a Black lens, provoking mixed reactions from peers. The narrative delves into themes of touch, connection, and the complexities of being an artist in a challenging environment.
Read at www.theguardian.com
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