Adventice, JR's latest installation, transforms the Carré Sainte-Anne in Montpellier into a metaphor for shared humanity. The former Catholic church, now a space for art, inaugurates with this participatory exhibition. Adventice encourages community involvement, where local hands form a monumental tree symbolizing interdependence. The installation’s name signifies aspects of foreignness and unexpected arrivals, drawing parallels with opportunistic botanical species. This evolving piece underscores Montpellier's rich history as a cultural and trade crossroads, embodying the spirit of connection through art.
JR’s installation, Adventice, transforms the Carré Sainte-Anne into a visual metaphor for shared humanity, emphasizing community participation and interdependence through art.
The installation features a monumental tree made of 10,000 scanned and printed hands from locals, symbolizing the interconnectedness of the community and cultural exchange.
The name Adventice is derived from Latin meaning 'come from outside,' reflecting themes of foreignness, migration, and the unexpected influences that shape a landscape.
By inviting the community to engage directly, JR's work embodies a deep democratic spirit, encouraging viewers to look closely, think critically, and feel connected.
Collection
[
|
...
]