#choreography

#choreography

Wayne McGregor, resident choreographer at The Royal Ballet since 2006, is best known as a dance-maker, the creator of more than 200 works for his own Company Wayne McGregor, and a wide range of dance companies the world over, who has developed his own contemporary choreographic language relying on the hyper-flexibility of seemingly boneless bodies. In short, we know the work that, by age 55, has earned him a knighthood, CBE, and a variety of international honours, as dance performance;

A mysterious baroque music faded in on darkness at Northwest Portland's When the lights rose, dancer and choreographer BodyVox Dance Center. Carlyn Hudson lay on her back downstage right, donning a sheer, bulbous, chiffon top, complete with a stand-up frill collar. As she began to move, three dancers joined her, one by one. They switched places, following one another's staccato movements, until all stood regally on stage.

CEVIL has unleashed a pulsating anthem with her fresh single "BREATHING LIKE I'M RUNNING", and it's nothing short of a visual spectacle. The music video is an electro-pop fever dream, brimming with playful energy. It features mechanical choreographies and an aesthetically tight staging, all peppered with a humorous undertone. Teaming up with visionary director Lukas Valentin, this collaboration brings CEVIL's wild ideas to life with an impressive visual flair.

Smears simulate the blur of a character or object's motion, creating subconscious links in your mind between their poses to ensure fluid action.

Joe Goode’s latest immersive work, "Are You Okay?", at the Rincon Center, explores emotional fault lines in the national psyche, avoiding aerial dance techniques.

The dance is non-stop, a showcase for the tremendous dancers of her company, all quite different bodies but brilliant technicians, rooted in classicism with Tharp's easy synthesis of jazz, contemporary and vernacular dance forms.

The long-running BBC sci-fi series, which first ran from 1963 to 1989 and then from 2005 onwards, has never been nominated for a Primetime Emmy award, which is shocking given the calibre of performances over the years.

"The mood was celebratory - appropriately so, since this was Pimble's last season as artistic director of the company that she and Riley Grannan founded in 1978."

Otero's decision to film her life and her challenges with mental illness ultimately led her to create a performance that poetically explores the struggle with love and madness.