The album, appropriately entitled Hoffnung, opens with a nuanced account of the expansive Im Freien. The combination of Hasselhorn's communicative diction and Bushakevitz's poetic phrasing brings a rapt intimacy to this six-minute celebration of nocturnal beauty.
I was immediately struck by his magnetic intensity, his fierce passion for music and his unique way of speaking English—punctuated by frequent utterances of er-er-er. Many years later, Kurtag was to tell me: 'Stuttering is my natural mode of expression.' He and Marta simply embodied—he still embodies—music. I had never met anyone to whom each note mattered so much.