#horror

#horror

Ari Aster's new film, Eddington, captures the dread and paranoia of the Covid-19 pandemic, showcasing how it unearthed deeper divisions within a small community.

Summer can feel chaotic for parents, marked by late bedtimes and rushed schedules. The desire to make memories is often overshadowed by end-of-season boredom, creating a mix of terror and excitement.

The film's opening scene features a Snickers wrapper being discarded carelessly, leading to the escape of the mutated Distortus Rex, marking the origin of ensuing horror.

Clown in a Cornfield was released in theaters on May 9 and grossed nearly $4 million, setting an opening weekend record for IFC, surpassing Late Night with the Devil.

The latest work by Moreno-Garcia recounts the story of Minerva, a graduate student influenced by her great-grandmother's tales of witch encounters, leading to horrifying revelations.

Paranormal Activity: A New Story Live on Stage, taking place at The Ambassadors Theatre, promises an immersive theatrical adaptation rooted in unsettling intimacy.

Zombie Burger in Des Moines, Iowa offers uniquely crafted burgers in a 'post apocalyptic chic' environment, featuring a playful menu with nostalgic 1970s influences.

Romero's vision for Resident Evil ultimately fell apart due to a massive disagreement with producer Bernd Eichinger over the level of gore and violence in the script.

One Alpha, dubbed 'Samson' by Ralph Fiennes' Dr. Kelson, is super-tall, super-smart, and far scarier than the others. He is the father of the uninfected baby that Spike and his mother save, and he's hell-bent on retrieving his baby.

In John Wyndham's 1951 science-fiction novel, Day of the Triffids, a mysterious green meteor shower leaves most of the world blind, revealing the danger of humanity's own devices.

These moments, whether drawn from my childhood or imagined in hindsight, help me process feelings of discomfort, loneliness, and disconnection.

Hell of the Living Dead distills the 1980 horror zeitgeist, a gorefest serving as a lighter alternative to the revered Dawn of the Dead, albeit characterized by a shoddy production process.

It was just the most nerve-wracking thing ever, it's terrifying... It's the scariest part.

Stein says watching a family collaborating to fight off death, rather than the franchise's usual friend group or collection of strangers, 'makes the movie a lot more complex and interesting, because you really end up caring a lot.'