#live-music-venues

#live-music-venues

Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging. At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The combined impact of disproportionate, inappropriate, and unjustified rises in the Valuations Office Agency's valuation of properties, and an increased Business Rates multiplier for large event venues, will undermine many of this Government's own priorities. The resulting tax increase for operators completely outweighs any benefits of the transitional relief and lower tax multipliers for lower value properties announced, and will significantly worsen in the years ahead.

One afternoon in 1962, lyricist Vinícius de Moraes and composer Antônio Carlos "Tom" Jobim were sitting at Bar Veloso, in Rio de Janeiro, when they recognized a woman walking by. The two men were so taken with her beauty that they decided to express their admiration in a poem, and the words they jotted down on a pair of bar napkins that day would later end up in their song "The Girl from Ipanema."

Before Michaela Watkins's first shift behind the bar at Satyricon, the manager gave her the tour. "He said to me: 'Okay, here's the taps, here's the keg, here's the bat.' And I was, like, the bat? And he's like: 'Yeah, the bat.' I was like, am I gonna use a bat? He nodded: 'You might need to use a bat.'"