"In All Grown Up, Luke returns to his childhood home, only to be steadily reabsorbed by it. He thinks about all the possibilities he'll have once he's sold up."
"Sonya the playwright somehow ends up with Callum, who isn't even her type. She has decided that the flaw in her play is that Choose Your Own Ending texts don't just encourage choice, they reward action."
"These stories are full of transformational delight in life one moment, emotional and psychological threat the next."
"The Lady of the House seems like a classic ghost story, with a castle gatehouse, old books featuring grey blooms of mould on the inner covers, and a curse dating from 1660."
Lucy Caldwell's fourth collection of stories delves into themes of family life and the arts, focusing on memory management. Characters like Luke confront their pasts while grappling with personal challenges such as divorce and loss. The narrative style connects subtly to her previous works, emphasizing emotional depth. In 'Hamlet, a Love Story,' Sonya navigates her flawed play and unexpected relationships, highlighting the consequences of inaction. The stories oscillate between joy and psychological tension, with elements of classic ghost tales enriching the narrative landscape.
Read at www.theguardian.com
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