#memory

#memory

Zeng was born in China and began studying Visual Communication at Shanghai Normal University in 2015. After working as a freelance artist and designer, Zeng moved to Germany to study at the Academy of Media Arts Cologne. His artistic interest lies in the boundaries between documentary and fiction, and the self-referential nature of memory. "the internal crusade" is a reflection of Zeng's upbringing and education.

Anthropic is now making the memory feature in Claude available to all Pro and Max users. The feature remembers projects and preferences, so you don't have to explain the same context every time. Anthropic is also introducing an incognito mode. The rollout means that Claude can retain context between sessions. The memory function was initially only available to Team and Enterprise users since its announcement in early September. Now, all paid users have access.

Anthropic says the goal is "complete transparency." Users will be able to clearly see what Claude remembers rather than "vague summaries," it said. Specific memories can also be toggled on and off or edited with natural conversation. For example, you could tell Claude to focus on specific memories or "forget an old job entirely." Users can also create "distinct memory spaces" that will keep various memories apart.

Tell me about what you had for dinner last night. There are different ways you could fill in the details of that story. You could give perceptual descriptions of how your food looked and tasted. Or you could focus more on conceptual experiences, such as what that food made you think and feel. In a new brain scan study, neuroscientists found that telling the same story different ways activates different memory mechanisms in the listener's brain, shaping how someone remembers what you told them.

The brain generates rhythms naturally. One way to confirm this is to record the brain's electrical activity. This electrical activity results from the passage of ions (particles with positive or negative charge, such as sodium and chloride, the components of salt) across brain cell membranes. EEG (electroencephalography), a painless and harmless technique using wires (electrodes) placed on the scalp to record this activity, has been around for nearly a century. EEG reveals that much of a healthy brain's electrical activity is rhythmic, not random.

My entire education, everything I had ever been told or had told myself, insisted that the production was never meant to be improvised: I was supposed to have a script, and had mislaid it. I was supposed to hear cues, and no longer did. I was meant to know the plot, but all I knew was what I saw: flash pictures in variable sequence, images with no 'meaning' beyond their temporary arrangement, not a movie but a cutting-room experience.

At the sixth edition of the Aichi Triennale, which opened in Japan in September, wars and their effects loom large. The exhibition's title, A Time Between Ashes and Roses (until 30 November), comes from a line in a poem by the Syrian poet Adonis about the cycle of destruction and rebirth, observed through nature. It resonates throughout this year's event, where war, displacement, memory and the natural world are interwoven across venues in Aichi Prefecture, located to the west of Tokyo.

In "Consuming Place: Women, Wine and Imagination," Janine Aujard examined how women in England and Australia experience wine drinking not just as a gustatory pleasure, but as a medium for engaging with place, memory, identity, and imagination. She frames wine consumption as a cultural practice that allows women to "consume" spatial and temporal dimensions. In effect, they are drinking more than wine: They imbibe ideas of place, belonging, and time.

almost seen is an invitation

Memory - like cinema, in Andrei Tarkovsky's conception of the form - can be seen as a kind of "sculpting in time". In such an understanding of the term, the process of remembering is less like taking books from a neatly ordered library shelf and more like an act of creation in and of itself, a complex pulling of threads to produce an image that is true only insofar as it expresses something deep about its maker's subconscious.

You have a radio head tattoo on the back of your neck. We both lived on s.e. 28th ave. We spent only one night together but I saw you months later in the frozen food section at Fred Meyer and you were pregnant. Was it mine? This was over 10 years ago. I'm in my late 40s now and never had any children. Just curious. I don't even remember your name anymore as it's been so long.

The social aspect of music may be beneficial for your brain, too. Corbett also told Newsweek that the singers in the study had better complex task completion as they aged. But the study noted that the benefits that come with singing may also have to do with the social connections that are formed when singing with a choir or in a group setting. "Music doesn't usually happen in isolation," Fesharaki-Zadeh said. Think about it: Music is often played in a group, practiced with a teacher or performed for other people. That social interaction is one of those protective factors for brain health, he added.

The Grid, which challenges users to Remember A Guy that fits into various different categories every day, delivered an efficient if sometimes maddening way to scratch a mental itch that has been with me for more or less my whole life. At the very least, I'll generally do one in the morning to wake my brain up, and while I'm not sure that thinking about what teams Mike Fetters played for before breakfast is right for everyone, it absolutely works for me.

These researchers explored the influence of forgiveness on the memories of victims and perpetrators of a wrong. In particular, they explored whether forgiveness affects people's ability to remember the details of past events, whether they can remember the emotions they experienced in that past event, and also whether that memory still elicits an emotion. Across several studies, participants were given a prompt to remember a past event.

Our past gains meaning through the stories we choose to tell ourselves. Memories are not fixed; they can be reshaped and reconsolidated. Changing stories frees us to pursue purpose and joy in the present.

I saw John, still alive, moving on the ground, but I realized I couldn't take that photo of someone who was dying—it didn't feel right, he recalls.

When we think of 'digital product design', it's tempting to frame it in terms of usability, engagement, or revenue. But those are surface-level outputs. Underneath, design decisions are time-shaping mechanisms.

Eden dresses in a blue gingham pinafore reminiscent of Alice in Wonderland, suggesting a journey or pilgrimage theme explored in Kotting's works.

I remember my voice entering the blend, the anonymous shallows clean and barely rippling, or sharing a duet with Krista, a bent harmony, our first altos meeting and crossing like a pair of notched sticks.

I remember my mother exactly as I saw her for the first time: wearing a blue, azure suit, a white shirt, black heels, and dark brown mid-length hair curled with a bold red lip.

The exhibition 'Dearest Banlieues' features over 200 works, including archival documents, paintings, installations, videos, photographs, and personal testimonies that capture the complexity of suburbs.

Heartworm's heroine Sam navigates her grief-driven journey by seeking a portal to the afterlife, confronting grotesque memories, and battling manifestations of her pain.

Korakrit Arunanondchai's installation 'Unity for Nostalgia, 2025' transforms a foundry into a haunted cinema, blending themes of memory, nature, and transformation with unique mediums.