Evelyn McHale wrote in her suicide note that she didn't want her family to see 'any part' of her body. Instead, a photo of her death would become one of the most famous photographs of all time.
CUBES is a long-term photographic series, developed between 2018 and 2025 by Seb Agnew, composed of 27 hand-built miniature architectural environments. Structured across three interconnected chapters: CUBES I, CUBES II, and CUBES III, the project examines how spatial design reflects human presence, historical continuity, and technological systems. Each image originates from a physically constructed model room built from scratch. Traditional model-making methods are combined with contemporary fabrication tools, including laser cutting and 3D printing.
The debut event, featuring Queer Eye's Carson Kressley, will include the voices of Jim Obergefell, George and Brad Takei, Judy and Dennis Shepard, and many more from the 100 stories featured in the book. The beautiful LOVE book brings together vivid photographs and compelling stories to make you feel as if you're right there for each and every twist and turn of the many decades of queer and marriage equality activism that culminated in the 2015 nationwide marriage equality victory at the U.S. Supreme Court.
Films seen long ago but unavailable for rewatching often loom large, like myths shadowed by fear: Will a second viewing confirm or dispel the initial impression? I first saw "Caught in the Acts" ("Délits flagrants"), a documentary by the French director Raymond Depardon, in Paris, a few months after it opened there, in 1994, and it struck me as one of the greatest documentaries I'd ever seen.
Born in East Germany just a few years before the fall of the Berlin Wall, her work ruminated on reunification. It often incorporated furniture and found domestic objects and mass-produced home goods from the era as carriers of ideologies, politics, and social truths. She passed away of cancer just three months before the opening of the Venice Biennale, where she was set to co-represent Germany with artist Sung Tieu.
Dörte Eißfeldt's photography is grounded in the experience of seeing: a relational seeing that holds in view not only the self and the world, but also the photographic object itself, which can act as a vital intermediary between the two. Making us encounter gentler close-ups of a neck pressed into sheets of silver, nebulated, spectral hands and snowballs that seem to glow far beyond the print's surface, her largely self-taught photographic practice probes phenomenological questions of appearance, perception and form.
The light fades earlier, city lights turn on before the afternoon is over, and the wind bites the skin. During Scandinavian autumn and winter, people dress more warmly, and time slows down. I carry the memories and connections from summer longer than I should, still feeling them in my body. The longing for closeness and warmth is there, but it does not come easily. As everything around me changes, I do too.
For my husband's 69th birthday, I asked his older sister to drive me to the neighborhoods where they grew up. I photographed the grocery store, his schools, the churches he attended, the vacant lot where his childhood home once stood. I printed the photos and placed them in an album. My husband, a verbose storyteller, especially about his life growing up as one of nine siblings, was very surprised. Nola Nolen 74, Harmony, Pa.
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Cotillion dances have European origins, but in the poem, Black New Yorkers perform classic dances such as waltzes and quadrilles and are dressed in fine outfits. These Black debutante balls go back a long way, and are one example of African Americans trying to create a better life. Today, they continue to introduce young women into society and retain a strong emphasis on the participants' education.
Bob Krasner has spent years training his eye to resist the obvious. While the city screams for attention, his photography work insists on quiet. The result is a photographic practice rooted in restraint, patience, and a near-radical commitment to looking slowly. His latest body of work, unveiled last week and now on view through Feb. 22 at Ki Smith Gallery on the Lower East Side, feels like a controlled exhale inside one of the most visually aggressive environments on earth.
The National Portrait Gallery is Jared Soares's favorite museum. It's just a few Metro stops away from the photographer's home in Northeast DC, and he says he's visited dozens of times to admire the works from his favorite artists. But Soares's next visit will be different. The second floor of the gallery now features Soares's award-winning photograph, Misidentified by Artificial Intelligence: Alonzo and Carronne (2023).
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Styling by Axelle using fashion by Nazarene Amictus, Victoria Amerson Design GmbH, Mossi, and Vintage pieces. The assistant stylist is Evan. The series explores the idea of haste and unintentional disorder in Paris, the moment when you rush downstairs, almost forgetting your trousers, because every minute counts. This sense of urgency, this I don't have time, becomes an aesthetic language. In Paris, style isn't calculated, and yet, nothing is ever left to chance.
"Me and my girlfriend went on color hunting in Berlin this weekend," user Erikas Mališauskas shared on X. "We picked two random colors and had to make a 3×3 photo grid featuring that color. I got yellow, she got blue, here's the result." Commenters rallied together in agreement, saying how good of an idea this is.
Photographer Henri Cartier-Bresson (19082004) travelled all over the world and extensively throughout Europe. After producing numerous series of photographs for magazines in Germany, Spain, Italy, Greece, Switzerland and France, Cartier-Bresson wanted to bring them together in a book and in 1955, he published Les Europeens (The Europeans). This book of photographs aims to show what makes each of the peoples of this geographical area unique while highlighting their similarities. This exhibition brings together some of the most important photographs from the book.
"As a model in this industry for over 14 years, testing has been, and will forever be a huge component of a model's career. "Yet the frustration has always been the same with it. This is why I have created the Testing Network. In my 14 years, I have found that when a shoot is curated with a full team of creatives, these shoots are some of the most inspiring, influential and fulfilling experiences I've had of my career. But those tests are a rarity, and they shouldn't have to be."
