Sergey Isakov's illustrations appear prominently in The New York Times and The New Yorker. His textured geometric drawings exude playfulness and movement. Close examination reveals a silent balance between structure and spontaneity. Inspired by printmaking and Constructivist aesthetics, Isakov focuses on themes like solitude and imagination. His compositions toy with scale, blending the familiar with the surreal. Small elements interact with larger forms, creating intrigue and curiosity in every detailed scene.
My work often delves into themes of solitude, movement, time, and imagination. I draw inspiration from printmaking artists and the structured aesthetics of Constructivist designers, as well as the beauty found in everyday life.
There is a quiet tension between structure and spontaneity in my illustrations. Although bold shapes dominate, the subtle layers of textures and detail make my work feel akin to analogue prints.
I’m particularly drawn to this intriguing space where the familiar meets the surreal. My scenes often deliberately toy with scale, showcasing playful interactions.
The textured geometric drawings have rolled out across digital and physical pages with a playful and wondrous sense of movement to every scene.
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