Spotify has transformed how people engage with music by curating playlists for various activities. However, this focus on the present has produced a disconnect from music's historical context, particularly in genres like drum 'n' bass. Important albums and labels from the past are often missing or poorly represented, resulting in a skewed understanding of these music forms. For example, A Guy Called Gerald's iconic album is scarcely featured, leading to a distorted view of his contributions. Liz Pelly's book describes Spotify's origins in advertising, emphasizing data-driven strategies over preserving musical histories.
Spotify's obsession with the present moment has led to a disconnection from music's past, blurring the histories of genres like drum 'n' bass.
A Guy Called Gerald's influential drum 'n' bass album, Black Secret Technology, is barely traceable on Spotify, distorting the narrative of the genre.
The catalogues of pioneering labels in drum 'n' bass on Spotify are often presented as ghostly copies, lacking coherence and clarity.
Liz Pelly's Mood Machine reveals Spotify’s initial aim to monetize music through ads, prioritizing data over artistic integrity.
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