"Sargent's 'Madame X,' a portrait of Virginie Amélie Avegno Gautreau, was a standout at the Metropolitan Museum of Art, glowing from several rooms away. The painting caused an uproar at the Paris Salon, where viewers deemed it a crime against good taste, criticizing Gautreau's appearance as sickly and vulgar."
"In an effort to capture Gautreau's audacity, Sargent painted her in a form-fitting black gown with a drooping strap. Despite his attempt to correct the painting by adding the strap back, the damage was done, leading to his escape from Paris and Gautreau's withdrawal from high society."
The Met Gala showcased controversial co-chairs and a softball theme, with a notable reference to John Singer Sargent's painting 'Madame X.' This painting, depicting Virginie Amélie Avegno Gautreau, caused a scandal at its 1884 debut due to its audacious portrayal. Gautreau, a prominent socialite, was criticized for her appearance and the painting's provocative elements. Sargent's attempt to amend the painting was unsuccessful, leading to his departure from Paris and Gautreau's retreat from society. She later removed mirrors from her home to avoid seeing her reflection.
Read at The New Yorker
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