"I move between figuration and abstraction. The starting point is personal photographs, which I transfer as drawings to the canvas and then overlay, blur, and fragment in several layers. I am less interested in the original image than in the process of its transformation: the disappearance of certainties, the emergence of intermediate states."
"My artistic practice allows me to perceive the world in a more intense and personal way. I am fascinated by the immediacy and intuitiveness of painting, which enables me to translate perception emotionally. Relationships are often at the centre of my work. I am drawn to moments of ambiguity - situations that resist fixed meaning."
"Although time - the underlying anchor of our memories - is often conceived as linear, memories are rhizomatic, extending simultaneously into the past and future. Haas's paintings seem to share this condition: are they recollections, or points in a time still unfolding?"
Vero Haas's paintings from the series us - two places at the same time balance between figuration and abstraction. They invite viewers to search for meaning within translucent forms and shifting shapes. Haas's process involves transforming personal photographs into layered, blurred images, focusing on the transformation rather than the original. Her work emphasizes ambiguity and the coexistence of multiple interpretations. Memory is portrayed as elusive and non-linear, reflecting the complexity of human experience and perception, akin to the nature of her paintings.
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