Born with albinism in 1936, Pascoal grew up in a small rural town in the Brazilian state of Alagoas. His parents worked in the fields, but the young Pascoal spent much of his time indoors due to his condition. While vision deficiencies led him to drop out of school in the fourth grade, Pascoal's ears guided him towards music. He learned to play accordion, flute and piano.
Bitcoin is a financial tool born of code and cryptography. But seen in a wider frame, it belongs to a cultural lineage more than a century old. Since the 1910s, avant-garde movements have probed questions that later became central to Bitcoin: Who decides value? Can rules replace rulers? How do systems record time, distribute trust or resist authority? Far from appearing out of nowhere in 2009, Bitcoin crystallized ideas that had long circulated in artistic experiments.
Nova '78 centers around the Nova Convention, a late '70s avant-garde extravaganza that took place at NYC's now defunct Entermedia Theater (Second Avenue and 12th Street) in honor of William S. Burroughs's return to the U.S. after living more than 20 years abroad. It was also a great excuse to gather a who's who roster of counterculture icons to perform in the presence of the postmodern wordsmith who'd profoundly impacted them all.
"I was interested in observing life as it is and how that was special. Someone baking bread or making a salad or simply sipping tea is what I found interesting."
Marcel Duchamp's goal was to 'put art back in the service of the mind,' creating a synergy between language, thought, and vision. His film Anémic Cinéma exemplifies this aim through nine optical illusions and complex wordplay.
Tune-Yards' music defies conventional structure while remaining infectious and danceable, resulting in a raw vitality that captures audiences' attention.
E.A.T. emerged as a radical platform that reimagined the possibilities of creative practice through direct collaboration between artists and technologists.
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