"This piece really links our brand's history to design work," says Nathalie Fremon, senior vice president of architecture and home collections at Louis Vuitton, speaking of the original red-and-black dressing table. "Then, it didn't look like anything you'd ever seen. But today it fits perfectly into the interiors of our time."
"My father believed tequila should be treated like a craft, not a commodity. He set out to prove tequila could be both authentic and exceptional, and that philosophy still guides everything we do."
"We met with linen and wool weavers and were blown away by the exceptional quality and beauty of the cloth they produced, as well as the depth of [textile] history in Ireland. We were in equal measure concerned by the decline in the number of weavers. They mentioned that they were losing out to cheaper cloth from abroad and that Irish buyers were few and far between."
Nobody spends six figures on a mechanical watch because it is the most efficient way to know the time. People buy fine watches for the same reason they buy art or classic cars. They are drawn to craftsmanship, beauty, engineering, rarity, history, and the emotional power of an object made by human hands.
An engagement ring is more than a piece of jewellery, it is a symbol of commitment. Couples are moving away from mass‑produced designs, preferring rings that capture their unique journey.
Complications in the timepiece world are highly desired. They hint that the wearer has stories to tell, that they're the type who needs to know the exact time in Berlin while they're lingering over omakase in Vancouver.
Paul Kutchinsky's ambition to create the world's largest jeweled egg was driven by a desire to showcase British craftsmanship on a global stage, competing with the legendary Faberge eggs.
Stephan Hohmann articulates, "As a traditional brand with a strong identity, we are constantly navigating between authenticity and relevance. We seek dialogue with individuals who share our values to reinterpret them in innovative ways."
It's a doll, Ineke Schmelter, 71, often says as she walks down the street with a pram and someone peers fondly under the hood, asking: How old is the baby? Then she pulls back the blanket and reveals the doll. She points out the craftsmanship the little veins, the creases in the skin and explains that it can take as many as 20 layers of paint to achieve such a lifelike finish.
While we started designing a retail space for the brand, we perceived Gully Labs as a celebration of Indian street culture, glorified, unified, and expressed through sneakers and apparel that pay homage to Indian craftsmanship and the raw vibrancy of the streets. Every element, from design to detailing, reflects this authenticity, positioning the brand not just as a retail destination but as a cultural movement.
Tech moves fast, breaks things, ships updates, iterates. The entire industry is built on the assumption that this year's product will be obsolete by next year, and that's fine because next year's version will be better anyway. Then you see someone in Fukui Prefecture spending twenty minutes hand-sanding a single wooden keyboard key, checking it by touch, and the whole paradigm feels suddenly optional.
Lighting is one of the most essential aspects of a home; it's also one of the most overlooked. The right illumination can create ambience, soften harsh edges, and imbue a sense of warmth. However, not all light sources are of the same quality. A custom chandelier, for instance, will always stand head-and-shoulders above the rest. These meticulously made creations can range from minimalist to monumental, bringing scale, ambition, and elegance into the room.
Japanese design has spent centuries perfecting the balance between restraint and richness. These seven gifts embody that philosophy, where every material choice and geometric decision carries intention. From transparent polycarbonate that frames music like sculpture to hand-planted bristles that honor century-old brush-making techniques, each piece reflects the considered craftsmanship that typically commands luxury prices. The precision is palpable, the materials exceptional, yet the cost remains accessible.
Furniture made from mycelium or algae can decompose in five years, sure, but a well-made antique armoire outlives empires because no one throws it away. Columns takes that logic seriously. Handcrafted in solid oak, natural leather, and horsehair, the pieces are built to last a thousand years, which sounds like marketing hyperbole until you look at the joinery, the hand stitching, and the material choices. This is furniture designed to be inherited, repaired, and remembered.
Much has been mythologised about Laurel Canyon in the 1970s, the loose hillside network of rented houses, recording studios, informal salons and open doors in the hidden in the Hollywood Hills. Musicians, artists and writers moving between kitchens, gardens and living rooms - stars like Joni Mitchell, The Byrds, The Doors, Frank Zappa are said to have played songs for one another, partied, took drugs and slept with each other, living freely while writing the music we still listen to today.
Continuing its journey of consistent, evolutionary development, the collection embodies Lardini's Code of Making: craftsmanship as a cultural value, an aesthetic stance, and a catalyst for innovation. The intersection of traditional tailoring and technological precision culminates in materials that convey meaning, while process quality emerges as the true luxury. The FW26/27 collection unfolds through four interwoven expressions: Contemporary Tailoring, Iconic Outerwear, Knitwear Layering, and Sophisticated Casual, creating a coherent yet understated aesthetic.
The Sculptural Wave Plate, one of the collection's centrepieces, captures that balance perfectly. The piece is hand-formed by artisans who work intuitively with the clay, shaping soft, undulating curves that echo the movement of fabric or the natural topography of land. Each plate is made from regionally sourced, lead-free clay and finished in a matte glaze that settles uniquely across every surface.
Fashion is very good at announcing returns, and it is less interested in accounting for what happens in the time in between. Designers disappear, reappear and are soon asked to explain themselves, preferably in the language of growth. London-based designer Nicomede Talavera has done this twice already. His new collection under his eponymous label Nicomede, Sacred Journey, is somewhat of a third arrival, serving as a reminder that stepping away can sharpen a vision, not dilute it.
Those he saw as "most successful" had a "bold typographic and/or illustrative treatment" which in turn "countered the dominance" of the branding strip that ran down the side. "This realisation led me to define some rules for the designs of the individual covers that tried to ensure that the covers would never feel overwhelmed by the branding system," says Pete. "The core rule was that the Editions would essentially be typographic covers, or typographically-led covers in terms of the hierarchy between type and image."
It's no secret that Jonathan Anderson has a taste for the surreal, and one place he has long channelled his most eccentric ideas is through his accessories. Through his 11-year tenure at Loewe and under his namesake label, the Irish designer has moulded frog faces on wellies, turned red roses into stilettos, cast elephants in leather and, most infamously of all, transformed the plump grey silhouette of the least glamorous of birds - the pigeon - into a clutch bag.
On a rocky outcrop in Scotland's Outer Hebrides, where Atlantic winds batter the coastline and ancient Lewisian Gneiss stone shapes the landscape, sits Caochan na Creige. This modest one-bedroom home has just been crowned RIBA House of the Year 2025, Britain's most prestigious residential architecture award. Perched in a sheltered inlet in the Bay of Harris with panoramic views across the Minch to Skye, the house represents a remarkable achievement in contemporary residential design, celebrated for its sensitivity to place,
For more than a century, Red Wing Shoe Company has designed and manufactured work boots in the United States with leather sourced from its own tannery. The family-owned, privately held business, which was founded in 1905 in Red Wing, Minnesota, wanted to remind its customers of that commitment to craftsmanship, so the shoemaker decided to add some distinctive texture to its advertising.
Located in the heart of Copenhagen's Bredgade, the new joint showroom for Danish cabinetmaker Kolon and lighting company Anour has been thoughtfully designed as a calm, tactile space celebrating local craftsmanship and material honesty. The interior unfolds in a palette of warm neutrals and natural textures from oak and walnut to brushed metal and softly colored textiles forming a serene backdrop for the furniture and lighting on display.
