Bay Area producer Marsh crane's introduction came when he stumbled onto Knxwledge's VATOGATO tapes on Bandcamp. Their journeys to the Chicago dance genre reflect the stylistic approaches that set them apart from their Midwestern compatriots; where RP Boo and co.'s minimalism emphasizes the persistent rhythms that sustain a dancefloor, username and Marsh crane embrace a busier, Zoomer-inspired sound, hashing underground rap microgenres and recognizable samples into dreamy collagist fantasies.
Black metal has been chummy with ambient music since birth, but Ulver's commitment to the genre is something else. Their debut album, (1995), released when singer Kristoffer Garm Rygg was 18, inspired a whole universe of nature-drunk folk metal; meanwhile, Nattens Madrigal (1997) is a prime example of the most scabrous and distortion-encrusted recesses of black metal. Between the two was the ambient Kveldssanger (1996), which proved they could work well at a lower altitude, but that still didn't prepare anyone for 2000's Perdition City:
Space Ghost & Teddy Bryant teamed up this year for the Majestic Fantasies album that shines a light on late '80s and early '90s sounds that possess that swing. Through the prism of R&B, UK street soul, house, and g-funk, both artists polish up what seems to be back in the cultural zeitgeist these days-but for the discerning listener, it never went out of style.
So many artists, so many songs, so little time. Each week we review a handful of new albums (of all genres), round up even more new music that we'd call "indie," and talk about what metal is coming out. We post music news, track premieres, and more all day. We update a playlist weekly of some of our current favorite tracks. Here's a daily roundup with a bunch of interesting, newly released songs in one place.
It's right there in the title of the first track, "Vegetation Grows Thick," whose textures feel like mutant organic tissue. With dusty hip-hop drums straightened out and sped up, it feels a bit like an old Mo' Wax record left in a damp attic until it grew mold in its grooves-humid, buzzed, and a little blissed-out in its spongy transformation. It's a head rush grounded in the earth, electronics running through soil and sending messages to god knows where.
The staff of Pitchfork listens to a lot of new music. A lot of it. On any given day our writers, editors, and contributors go through an imposing number of new releases, giving recommendations to each other and discovering new favorites along the way. Each Monday, with our Pitchfork Selects playlist, we're sharing what our writers are playing obsessively and highlighting some of the Pitchfork staff's favorite new music.
Fancy Some More? consists of two full-album remixes, one of which appears to lean more towards popwith appearances from Anitta, Seventeen, Oklou, Jade, Yves, JT, Sugababes, Kylie Minogue, Bladee, Zara Larsson, Ravyn Lenae, and Rachel Chinouririwhile the other boasts a slew of dance and electronic actsNia Archives, Kaytranada, Basement Jaxx, Hot Chip's Joe Goddard, DJ Caio Prince, Mochakk, Loukeman, Leod, Sega Bodega, Groove Armada, and Kilimanjaro.
Soulwax's new album, All Systems Are Lying, is their first in seven years and features a rock style crafted without electric guitars. The duo aims to encapsulate the essence of a live band with electronic instruments.