#photojournalism

#photojournalism

War photographers are not meant to reach 90. Fate has had my life in its hands, says Don McCullin. Over his seven-decade career covering wars, famines and disasters McCullin has been captured, and escaped snipers, mortar fire and more. How does it feel to be a survivor? Uncomfortable, he says. No wonder he finds solace in the beautiful still lifes he creates in his shed, or in the images he composes in the countryside around his Somerset home.

PARIS -- It was shortly after the stunning heist of the crown jewels at the Louvre when Paris-based Associated Press photographer Thibault Camus caught in his frame a dapperly dressed young man walking by uniformed French police officers, their car blocking one of the museum gates. Instinctively, he took the shot. It wasn't a particularly great photo, with someone's shoulder obscuring part of the foreground, Camus told himself.

The Louvre heist, daily life in Gaza, Russian strikes on Kyiv and sumo in London: the past seven days as captured by the world's leading photojournalists

Cartier-Bresson once famously said that his Leica "became the extension of [his] eye, prowling the streets all day, feeling very strung up and ready to pounce, determined to 'trap life'-to preserve life in the act of living." That's a little harder to accomplish with Leica's new camera. Today, Leica is launching the M EV1. It's the first M camera with a digital viewfinder, meaning the M's most distinct asset-its beautiful optical viewfinder-is no more.

Video posted by New York Daily News and taken by freelance photojournalist Stephanie Keith shows Dean Moses, a photojournalist for amNewYork, following ICE agents into an elevator in a Manhattan building. While other journalists look on, Moses is forcefully removed from the elevator after being told to get off. Get the f**k out of the elevator! an agent is heard saying as Moses is removed.

"When I saw that photo, I felt it to my core,"

Rodrigo Moya, who died July 30 at 91, was one of Mexico's most versatile and renowned photojournalists, capturing vulnerable moments of celebrities and public figures.

Gibson reflects on his early struggles with photography in the 1960s, emphasizing the importance of social relevance in his art and personal evolution as an artist.

In Jakarta, the phenomenon of 'manusia silver' illustrates how the inhabitants adapt to economic hardship, with some earning up to 200,000 rupiah on good days.

Claude Salhani's journey as a photojournalist during Lebanon’s civil war captures the intense brutality of conflict, but ultimately led him to step away from the turmoil.