SF music

SF music

This is family, this is the legacy and it's not a piece of chicken. To me, it's disrespectful not only to the neighborhood but to the whole Santana family and the whole Santana team.

"There is a lot of talk about San Francisco from outsiders. They're trying to tell us how we are. You're about to walk into a sold-out auditorium to celebrate all that is great about us. We're going to be the ones that define San Francisco going forward."

Tokimonsta's music combines aspects of hip-hop, R&B, and jazz, creating intricate drum loops, synths, and bass lines that resonate deeply with her personal experiences.

In her prologue to the play, Hansberry describes a mysterious African woman as majestic and motionless Black-skinned and imposing, cheeks painted for war.

Bruce Vilanch, Emmy-award winning writer, shared insights from his book 'It Seemed Like a Bad Idea at the Time', detailing his experiences with poorly received shows.

Tamara Rojo's adaptation of Raymonda breathes new life into the classic ballet by infusing it with a feminist perspective, showcasing a heroine who claims agency over her life decisions.

Midway through the song "Roar," the mechanism unexpectedly jolted, tilting and dipping in mid-air, causing Perry to slip in her seat and abruptly stop singing.

The exhibition showcases Filipino history, memory, and movement through a combination of art and storytelling, highlighting the resilience and creativity of the local community.

Lydia Pense & Cold Blood debuted when the Fillmore was at its peak as one of the nation's musical Meccas.