#chilean-artists

#chilean-artists

Colonia Dignidad was a fenced enclave where Paul Schafer held as many as 300 people with minimal contact with the outside world, subjecting them to severe abuse and torture.

"My paintings can be described as sculptural in nature, emphasising physical presence, weight and materiality."

Valeria Luiselli, an acclaimed author, discusses the intricacies of Julio Cortázar's 'The Night Face Up,' highlighting its themes and narrative structure that intertwine reality and dreams.

Dolores Huerta's 1974 rally photo captures her in a United Farmworkers sweater vest, symbolizing activism and cultural identity, featured in 'Chicano Camera Culture.'

Eliades Ochoa's aura is so powerful that under the generous rays of sunlight streaming through the large window on this March morning, he evokes a Western film.

In Cabranes, Asturias, Atelier Poem has realized the Taller Agropoetico for Foresta Collective—a space that integrates agricultural practice with pedagogy.

The album showcases an audacious blend of trap, rock, pop, and experimental elements, all infused with a refreshing emotional honesty.

Pianist Dr. Gabriela Calderón and violinist Dr. Catalina Barraza celebrate the rich musical heritage of Latin America.

The highlands are the sustenance of life, and all that water comes down from the mountains to the valleys, such as Azapa and Lluta and to the coast. The city of Arica is on the coast. So, we have a very serious problem. We will not have water—not for agriculture, not for livestock, not for tourism.

For critics, the crest was another expression of Kast's professed affinity for the former hardline leader. But as Kast is sworn into office on Wednesday, analysts question whether his embrace of Pinochet is nostalgia for Latin America's past dictatorships or whether it is simply a sign of frustration with the status quo.

It makes me feel proud, simply because of the specific time we're in right now. It definitely takes a lot of courage for kids my age to represent their culture. Anthony Benitez, an 18-year-old violin student born in the United States to Mexican immigrants, expressed how the academy provides a meaningful outlet for cultural expression amid punitive immigration enforcement affecting Latino and immigrant families across the country.

We don't eat batteries. They take away the water; they take away life. This pronouncement, in Spanish, appears in a photograph that the artist Tomás Saraceno sent via WhatsApp last month from Salinas Grandes, a high-altitude salt flat in northern Argentina. There, in one of the world's largest lithium reserves, the artist is working alongside 11 Indigenous communities to build El Santuario del Agua (The Water Sanctuary), a monumental work about the global energy transition.

Géométral is an architectural practice defined by design strategies that are linked to the landscape, which it treats as a primary determinant of form. The studio approaches each project as a small universe that combines program, atmosphere, and spatial narratives. Rather than a single signature style, they focus on crafting moods and situations tailored to each context and user.

Luis had been missing for four decades, ever since he disappeared at age 15 during the dictatorship of Augusto Pinochet (1973–1990). The notice came from a court in Arica, in the far north of Chile, summoning him for failing to vote in the May elections for constitutional councilors, according to records from the Electoral Service (Servel). Under Chile's compulsory voting law, anyone who does not vote must provide a justification; otherwise, they face sanctions.

On November 28, with just weeks remaining until the run-off in Chile's presidential election, far-right candidate Jose Antonio Kast issued a warning. "To the irregular immigrants in Chile," he said, "I tell you that 103 days remain for you to leave our country voluntarily." Kast ultimately won the election and is expected to be sworn in on March 11. But so far, in the highlands of Chile's most northerly region, the immigrant exodus that some expected has not occurred.

Edward Simon was in his mid-teens when he left his home in Punta Cardon, Venezuela, for good and settled in the United States, driven by his desire to learn about jazz at the source. His quest has taken him to breathtaking creative heights with achievements visible both at home, where the Emeryville pianist and composer is the longest serving member of the SFJAZZ Collective, and abroad, via regular tours throughout Europe.

In the just-named Grammy Album of the Year, DeBÍ TiRAR MáS FOToS-which Bad Bunny has declared his " most Puerto Rican album " to date-the supernova reggaetonero painted an evocative portrait of the Caribbean island, while declaring to a whopping 8.6 million listeners: "VOY A LLeVARTE PA PR" (I'm going to bring you to Puerto Rico). And he did. Last year, a record-breaking number of tourists-7,486,000 to be exact-visited Puerto Rico's tropical shores.

La Villa de Santiago is a colonial town located 37 kilometers from the city of Monterrey. Every week a large number of visitors come to enjoy the different natural scenarios held in this part of the Sierra Madre Oriental. Rivers, waterfalls and forests are a perfect place to practice canyoning, climbing and trekking. Traditionally many weekend residences and cottages are located here.

It is not about reproducing the past but about engaging in dialogue with it. We apply the same level of care and rigor to all pieces. Many of our utilitarian pieces have a strong sculptural quality, and several of the more artistic works originate from everyday forms and functions. We do not establish rigid boundaries between these categories; all are part of the same vision.

In 2011, the Colombian government ordered the creation of a national museum "to achieve the strengthening of the collective memory" around the decades-long armed conflict. That same year, it passed the Victims and Land Restitution Law aimed at providing victims with reparations and justice. More than just a curated collection of objects or artworks, the museum, scheduled to be inaugurated in 2018, was conceived as an archive of the violent civil war.

The proposal is presented as a strategy for territorial and landscape activation in the eastern sector of Isla Teja, in Valdivia, in the stretch between the Architecture building of the Universidad Austral de Chile and the edge of the Rio Calle-Calle. Through the design and construction of three pavilions, the project aims to consolidate this area as a space for walking, pausing, and gathering, incorporating new architectural references that engage with the river landscape and its high ecological value.

Otherworldly forms greet you at the entrance to the exhibition, transporting you into a kaleidoscopic, dream-like space. A voice speaks in the background as projected images dance across the forms, animating the space. "It's been really beautiful to see her work come alive, become a landscape ... where you can traverse and kind of get lost," curator Fabiola R. Delgado says of Lisu Vega's "The Uncertain Future of Absence (El Futuro Incierto de la Ausencia)" (2025).

Regina Silveira has spent the better part of three decades considering the relationship between media and meaning, particularly as it relates to Latin America. First presented in 1997, "To Be Continued..." features 100 black-and-white reproductions of photos, newspaper clippings, propaganda, advertisements, and more. Silveira nests each image into an oversized puzzle piece, which cuts off faces and scenes to leave fragments of pop culture icons, flora and fauna, and even the occasional mugshot spliced next to one another.

An exhibition of Wifredo Lam is about as safe a bet as the Museum of Modern Art can place and still plausibly say that it's a bet on expanding the canon. The Cuban artist is one of the most famous painters of the 20th century, featured in almost every single key show about Surrealism. MoMA acquired his famous painting The Jungle in 1946, a few years after he made it.