This research-based design project by Laura Oliveira investigates discarded as a potential raw material for sustainable design applications. Human hair is produced continuously and in large quantities through everyday grooming practices, yet it is almost always treated as waste once separated from the body and typically disposed of in landfills. Despite its material properties, strength, flexibility, and durability as a keratin-based protein fiber, its remains uncommon within design and research contexts.
Casa La Vista is a residential project by MEDEZA CDQ and VERTEBRAL located on a cliff within the desert landscape of Baja California Sur, . Positioned among dunes and overlooking the coastline of San José and Punta Gorda, the house is oriented toward the southeast to frame the horizon where sea and sky meet. The project responds to the region's extreme climatic conditions through a spatial and tectonic strategy that prioritizes orientation, shading, and material performance.
With its elongated facade of perforated brickwork, Zero Studio's Haven House sits on an elevated site within a quiet neighborhood in Valiyannur, India. From the road, the dwelling reads as a low, horizontal volume that settles into the terrain and harness the trees, overgrown plantings, and sky as a lush frame. The architects shape the project through proportion and texture over sculptural gesture.
Floating above the ground of Dapo Pond wetland in Taitung, Taiwan, the Tie-Ma Cycling Station reimagines the infrastructure of rest. Designed by Studio APL and Lin Ko-Fang Architects, the public 'lotus garden' creates a sanctuary for cyclists traversing the region's East Rift Valley. Stones discovered during foundation excavation were transformed into breathable gabions walls and steel shaped into organic canopies. The project dissolves the boundary between bicycle station and the wetland ecosystem.
Going tiny doesn't have to mean compromising on comfort, and the Natural Luxe by South Base Homes proves this philosophy beautifully. This single-story tiny house offers a remarkably open and spacious layout that defies its compact 48-square-meter footprint, creating a living experience that feels much larger than its dimensions suggest. Designed by New Zealand's South Base Homes, the Natural Luxe is based on the company's Abel model and serves as their brand new show home.
Art Deco, which began to proliferate more broadly following the Paris International Exhibition of Modern Decorative and Industrial Arts, from which it derived its name, called upon ancient Egyptian motifs and futurism in a modality that emphasized geometric shapes, broad use of color and a streamlined (if maximalist) aesthetic. During the 1930s, a lesser-known but decidedly compelling offshoot of Art
We've all been in situations where we've had to sleep on a sofa bed. I can recall many childhood vacations where I'd be tossing and turning on a squeaky setup. If this was also you, sofa beds might not jump out as the most appealing option. But they've evolved from the rickety pull-out mattresses of yore-today's sofa beds are a far more comfortable and efficient way to create a guest bed wherever you need, whether in a spare room or a small apartment.
At first glance, the faux fur treasures all look similar, but each has its own distinct perk. For instance, the Lola Blankets pick has a stretchy construction that's perfect for wrapping, while the Cozy Earth bubble blanket is the ultimate reading-in-bed accessory thanks to its heftier weight and tailored look. Since these are quite fluffy, I like to style my faux fur blankets in two ways, depending on my mood. For all-season decor, you can't go wrong draping it against woven upholstery.
Marcello Mariana + 24 Architects: Margine Area of this architecture project Area: 480 m Completion year of this architecture project Year: 2023 Photographs:Marcello Mariana Brands with products used in this architecture project Manufacturers: Artnova, Ceramica Sant'Agostino, Devina Nais, FRATA, FRATA, Laminam, Laminam, Midj, Potenza e Greco, Sangiacomo, Tuttolegno, Tuttolegno, Vetreria Calasso, Vetreria Calasso Lead Architects: Giulio Ciccarese, Valentina Pontieri Contractor: Aurora Costruzioni SAS Project Team: Enrico Durante
A new summerhouse by Biris-Tsiraki Architects rises above a rocky cape on Antiparos, facing the open Aegean and the island of Despotiko across the water. Set into a steep slope and exposed to northern winds, the house addresses sea, sky, and terrain with a measured architectural language shaped by orientation and movement. From the approach, the building reads as a composition aligned to horizon and topography.
Japanese design has spent centuries perfecting the balance between restraint and richness. These seven gifts embody that philosophy, where every material choice and geometric decision carries intention. From transparent polycarbonate that frames music like sculpture to hand-planted bristles that honor century-old brush-making techniques, each piece reflects the considered craftsmanship that typically commands luxury prices. The precision is palpable, the materials exceptional, yet the cost remains accessible.
In the room I'm working in, there's a feather-filled shrine to various dead hens, two candles in the shape of Saint Lucy's eyes, a stuffed Australian magpie, a wig, three pewter goats and a French revolutionary cockade made from a jam pot lid (an illustrative selection; there's much more). Other people are similarly well stocked with weirdness: my father has a lifesize wooden sheep.
Furniture made from mycelium or algae can decompose in five years, sure, but a well-made antique armoire outlives empires because no one throws it away. Columns takes that logic seriously. Handcrafted in solid oak, natural leather, and horsehair, the pieces are built to last a thousand years, which sounds like marketing hyperbole until you look at the joinery, the hand stitching, and the material choices. This is furniture designed to be inherited, repaired, and remembered.
If you own a bike, you've probably played the garage Tetris game at least once. You know the drill: your bike leans against a wall, falls over at 2 AM with a crash, or blocks the path to literally everything else you need. It's the kind of everyday design problem that makes you wonder why nobody's come up with something better.
There's something about trendspotting in France that just hits differently. Maybe it's the Haussmannian architecture, which provides such a charming backdrop that you almost don't even notice you're literally running from showroom to showroom. Or maybe it's the fact that some of the brands on display truly are new - and in some cases, not even available stateside yet. Whatever the reason, I look forward to Maison&Objet and Paris Déco Off, two furniture- and textile-forward events in Paris, each January.
This dual ambition-questioning their own practice while contributing to a broader cultural discourse-frames each project as an evolving process, not a fixed outcome. The term "workshop" embedded in their name, New Almaty Architects Workshop, reflects this spirit of continuous testing and learning. Interiors become platforms for material research, atmospheric exploration, and critical self-evaluation. In a regional context where architectural discourse remains underrepresented internationally, their work emerges as a sustained effort to articulate identity through built experience.
ODDO architects shape the public art pavilion T10A in Hanoi, Vietnam using over 40,000 recycled plastic bags as well as handmade paper. Developed as a temporary exhibition space for Vietnamese architecture projects, the design team draws inspiration from Hanoi's craft heritage. The structure includes traditional handmade paper, known locally as Giấy Dó alongside the recycled plastic. Alongside the public art pavilions, there are paper domes within which visitors can explore the architectural drawings and information of the exhibitions from inside.
The alpine luxury aesthetic has been whitewashed with bleached timbers, disciplined schemes in varying shades of snow, and bouclé furniture that politely receded into the background - all designed to quiet the senses after a day on the slopes. It was a look that mirrored the landscape outside: serene and elemental. But something more decorative is carving fresh tracks. A new generation of designers is embracing pattern, color and ornament at altitude, with chintz leading the mountain-maximalist charge refreshingly off-piste.
